Building upon Astrida Neimanis’s theory of Hydrofeminism, which argues that we are all bodies of water inextricably connected to the natural world, Submerged Bodies: Mythical Reflections in South West Waters explores the relationship between the artist’s body and water. Negotiating diverse cultural myths that exist around gender and water within an unfolding global context of environmental disaster, artists Melanie Stidolph, Ashanti Hare, and Teän Roberts offer water as a representation of natural cycles and a portal between worlds.
Installation view, 'Submerged Bodies: Mythical Reflections In South West Water', Ashanti Hare, 'Journey to Mpemba', 2024. Photograph by Simon Tutty, 2024
Installation view, 'Submerged Bodies: Mythical Reflections In South West Waters', Teän Roberts, 'The Way of The Eel', 2023. Photograph by Simon Tutty, 2024.
Installation view, 'Submerged Bodies: Mythical Reflections In South West Waters', Melanie Stidolph, still from 'Treyarnon', 2019. Photograph by Simon Tutty, 2024.
Melanie Stidolph, still from 'Treyarnon', 2019, 16mm film, shot by filmmaker Rachael Jones. Produced with support from Cultivator funding.
Installation view, exhibition opening 'Submerged Bodies: Mythical Reflections In South West Waters'. Photographs by Simon Tutty, 2024.